9/15/2023 0 Comments Blue ribbon minimalist drawingHowever, thermal transfer printing differs from dye sublimation in that thermal transfer uses ink rather than dye. Both techniques involve heating a thermal print head while in contact with a ribbon. How to Print on Plastic CardsĪll Zebra plastic card printers feature the same basic printing operations dye sublimation and/or thermal transfer printing. At just a few seconds per card, the printing process is fast, so that cards are generated and personalized immediately, quickly connecting the customer or cardholder to the issuing organization or program.ĭigitally printed plastic cards provide numerous technological features, but start with a blank card that can be printed with any combination of artwork, graphics, text, digital photograph, bar codes, logos, etc., limited only by the issuers’ imagination.Īdditional machine-readable information, such as magnetic stripes and smart card chips, can also be encoded. With a computer and an image capture system, such as a digital camera, plastic card printers provide the delivery point of a highly integrated system. Their standard size, portability and durability make them the ideal choice for many applications.ĭigital plastic card printers offer the ability to create customized cards on demand, right at the point of issuance. I am continually fascinated by the creative process and I love experimenting with new tools and techniques and also learning about different mediums.Plastic cards are prevalent in our daily lives, from credit cards to driver’s licenses, membership cards to employee identification badges. I have been working in oil paint and cold wax since 2018 but have been painting with various mediums (watercolor, acrylic, collage, and encaustic) for about 45 years. I like my work to be loose, a bit flawed, and not too precise or perfect. I use various other media such as oil paint sticks, graphite and ink in addition to various mark-making tools. The development of the piece involves applying paint, covering up paint, and removing paint by scraping back to reveal previous layers until the composition is complete. My process begins by building up layers with oil paint and cold wax medium and then the challenge is to try to maintain the right combination of control and spontaneity to keep the work focused but not stifled. I may start out with an idea but never really know what the end result will be. ARTIST'S STATEMENT My paintings are mostly intuitive. I am excited by the creative process and problem solving. She feels it was almost a natural progression from “designing publications” to “designing her art work.” Resolving a layout with images and typography is not much different than resolving space on a canvas with form, line, and color. Before becoming a full-time artist, Virginia worked primarily in the publishing and printing business. She has won numerous awards, exhibited at various galleries in Southern California, and is also included in private collections. She has been painting for about 45 years (full-time for the past 15 years) and has entered her work in various juried shows and also has been invited to participate as a juror. She returned to Southern California in 2000 and now lives northeast of San Diego. Virginia was born in Michigan, moved to Southern California after high school and then to the state of Washington.
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